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If you’ve ever sat, tapping your feet to the distinctive sounds of Country Music, marveling at the beat, the guitar chords and above all else – the lyrics, then maybe you’ve sat there and thought, “I could write better lyrics than that,” or “how hard can it be to write a song?” Surprisingly you don’t have to be a creative genius to write a truly heartfelt Country song. Country is all about the journey, every song tells a deeply personal and more often than not, extraordinarily sad story, so pick up a pencil, and think of the “story of your life” the one story that always makes you cry, the worst time in your life, tap into your inner pain.
What can you write about?
If it hurts, it will work well as a Country Song, if it’s painful to discuss, then it’s perfect, here are some ideas:
*Lost Love
*Death
*Unrequited Love
*Drugs and Addiction
*Alcoholism
*Life Lessons
*Depression
*Prison
*Cowboys
What if you have no pain?
If you are lucky enough not to have a specific sad or painful time in your life, just grasp onto someone else’s pain, here are some ideas to help to get your creative juices flowing:
*Listen to some country music, get your head in the right mood
*Watch a very sad movie
*Watch the news
*Imagine losing someone close to your (warning, could keep you depressed for a while)
*Volunteer for a day at a hospice or a cancer ward
*Read a sad poem
If all else fails, just start writing and see where it takes you.
Do you have to plan your lyrics?
The best Country Songs in the word started out as an inspiration and then turned into organized lyrics. Don’t start out planning your whole song; it takes away the spontaneity, instead start writing and see where it takes you. Then when you have written a very rough first draft you can go back over and cross out, change and adapt, try to keep to just one story line at once, don’t cross over into other’s, there’s always more songs for that!
What if you can’t get it right?
It doesn’t matter how many times you need to change your song to make it right, keep editing and editing, until it sounds perfect for you, and conveys the message and tone you intended, remember it is unlikely you will write a perfect song first time, after all if you get perfection what’s left to strive for?
What about the music?
If you are no good at music, don’t worry, there are plenty of people out there who can play the guitar, which is all you really need for a Country song, but even if you just know the basics, it doesn’t take much to add accompaniment to your song, learn a couple of simply chords which you can repeat.
What’s the difference between writing Country Music Lyrics and other lyrics?
Think of Country Music as telling a story, so your words should flow as if you were telling someone what happened, many take on a tone of confession, unlike other types of music, it isn’t just about the chorus, it’s about the words!
Will it be a hit?
You never know, if you want to make it a hit, you will need to hook the listeners in early on in the song, so add something very interesting in the first few lines and make that chorus catchy!!
With a little work, you will surely find your inner Country Music writer, and be writing endless songs in no time!
About the Author:
Joe Hansen is an expert in country music and also reports on the latest news and events in the country music world.
Article Source: ArticlesBase.com – How to Write Country Music Lyrics
Nn angry young inspector has just discovered he has fallen for a spunky girl who earns her livelihood sharpening knives. It is not the kind of love that needs flowers or words. The two just look at each other and stare out of the window — their feeling of ardour expressed in the music and lyrics of two street singers performing in the neighbourhood
It is not an easy song to write. And few could have captured the mood of the delicate moment better than Gulshan Bawra who wrote, Deewane hain deewanon ko no ghar chahiye, na dar chahiye, mohabbat bhari ik nazar chahiye, nazar chahiye (film: Zanjeer, 1973).
That Bawra, who passed away at the age of 72 on Friday after a heart attack in Mumbai, himself performs as the reed slim singer in the song only adds to the moment.
In a career that spanned over four decades but with an oeuvre of only 250 odd songs, Gulshan Bawra’s simple lyrics and easy poetic eye helped several Bollywood directors illustrate their larger cinematic vision in a three-minute song.
Anyone who grew up in the 1960s knows that Mere desh ki dharti sona ugle, ugle heere moti, mere desh ki dharti (film: Upkar, 1967) wasn’t just a song; it was almost like India’s mission statement. By the time, Manoj Kumar’s movie was released, Prime Minister Lal Bahadur Shastri was dead. But his slogan, Jai Jawan, Jai Kisan, had outlived him. Bawra’s words encapsulated that 70mm national imagination evocatively to win both hearts and awards.
For someone who reportedly witnessed his parents being killed before his own eyes during Partition, Bawra’s songs seldom betrayed those childhood scars. On the contrary, they are filled with the eagerness of life, especially when he paired up with RD Burman; Bawra’s words being the perfect foil to the composer’s zestful rhythms.
That’s what made him suitable for those zany Rishi Kapoor entertainers such as Rafoo Chakkar, Khel Khel Mein and Jhoota Kahin Ka. Songs like Khullam khulla pyar karenge (Khel Khel Mein) or Barah baje ki suiyon jaise hum dono mil jayein (film: Jhoota Khain Ka) capture the carefree abandon of youth.
Before that Bawra wrote many songs for Kalyanji-Anandji including the broken-heart track Chandi ki deewar na todi (film: Viswas, 1969) and the fine male-bonding number, Yaari hai imaan mera, yaar meri zindagi (film: Zanjeer, 1973), also Binaca Geet Mala’s No 1 song of the year.
Another Amitabh Bachchan movie, Satte Pe Satta (1982), allowed him to showcase the upside of his funk. The title track, Dukki pe dukki ho, yah satte pe satta, gaur se dekha jaye to bas hai patte pe patta, koi farak nahi albatta, neatly summarises the spirit of that madcap movie.
Even in Kamal Haasan’s Sanam Teri Kasam (1982), Bawra was in top form. Every song in the Kamal Haasan and Reena Roy — what a strange pair! — flick was a superhit, especially the title track, Jaana o meri jaana (exquisitely rendered by composer R D) and Jaan-e-jaan Nisha, sung by Asha Bhonsle.
Indeed, Bawra had one of the finest success ratios among all lyricists. Going through the list of his songs — his first hit came in Satta Bazaar (1959), Tumhe yaad hoga kabhi hum miley the — one discovers that almost every second song penned by him is a hit. That includes tracks like Humain aur jeene ki chaahat na hoti (film: Agar Tum Na Hote, 1983). Even in flops like Lal Bangla (Chand ko kya maloom chahta hai use koi chakor, 1966) and Nishaan (Lehron ki tarah yaadein, 1982), the songs are so good you feel sorry they aren’t part of a better movie.
That in itself is a shining tribute to the man who arrived in Mumbai to work as a postal clerk. Instead, he kept delivering a fabulous bouquet of songs till the music died.
Gems you might have missed
** Film: Raaz. Song: Dil sambhale sambhalta nahin aaj to (singer: Mukesh-Suman Kalyanpur)
** Film: Lal Bangla. Song: Roothe ho sanam to phir kya hai, humko bhi manana aata hai (singer: Suman Kalyanpur)
** Film: Dil Deewana. Song: Sunita, main tere pyaar ke geet gaane laga hoon (singer: Kishore Kumar)
** Film: Nishan. Song: Lehron ki tarah yaadein (singer: Kishore Kumar)
** Film: Khel Khel Mein. Song: Aaye lo pyaar ke din aye (singer: Kishore-Asha)
** Film: Yeh Wada Raha. Song: Aesa kabhi hua nahi (singer; Kishore Kumar)